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Understanding 9/11Steve Wynn Live at Rytmeposten on 1998-02-14
Audio With External Links Item Preview
02. Silver Lining
03. Black Magic
04. This Strange Effect
05. This Deadly Game
06. Merritville
07. What We Call Love
08. When You Smile
09. Why
10. In Love With Everyone*
11. Tuesday*
12. Motorcycle Boy*
13. Baby, We All Gotta Go Down
14. Bonnie And Clyde*
15. Still Holding On To You
16. Shelley's Blues, pt 2
17. Halloween
18. Boston
19. The Devil In Me*
20. Outlaw Blues*
21. Carolyn*
22. Carry A Torch*
23. Transparency*
Related Music question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| Nothing But The Shell (first part missing) |
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| Silver Lining |
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| Black Magic |
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| This Strange Effect |
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| This Deadly Game |
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| Merritville |
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| What We Call Love |
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| When You Smile |
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| Why |
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| In Love With Everyone* |
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| Tuesday* |
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| Motorcycle Boy* |
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| Baby, We All Gotta Go Down |
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| Bonnie And Clyde* |
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| Still Holding On To You |
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| Shelley's Blues, pt 2 |
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| Halloween |
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| Boston |
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| The Devil In Me* |
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| Outlaw Blues* |
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| Carolyn* |
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| Carry A Torch* |
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| Transparency* |
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Notes
STEVE WYNN--guitar, vocals
KIRK SWAN--guitar
KURT STATHAM--bass
LINDA PITMON--drums
* = with John Wesley Harding
From Steve Wynn's diary:
Things are slowing down a little bit around here after the wild nights in Copenhagen and Arhus and, though the show in Odense was plenty fun and appreciated and wild, the city was a bit more relaxing and slow enough to give a chance to recharge a battery or two. Linda experienced chronic technical difficulty, particularly a microphone that was determined to point south, compass-like, to her snare drum and with all the time of repairs I was given a chance to play "Baby We All Gotta Go Down" for the first time of the tour, hardly deterred by the fact that the band had never played nor heard the song before. It was that kind of night and I am constantly reminded that the infrequently played old favorite, filled with errors of spontaneity is so often better than the much-played well-shined set regular, giving the audience a chance to see through the cracks. Leonard Cohen once said "there is a crack in everything; that's how the light gets in." He was so right.
